Showing posts with label Recommended reading. Show all posts
Showing posts with label Recommended reading. Show all posts

September 20, 2016

Book presentation: Paris, New York

Part of the Bibliothèques de Paris current program Le Tandem Paris / New York, tonight Annie Cohen-Solal will present our research for the book New York capitale culturelle (1945-1965) at the Bibliothèque Vaugirard.

October 19, 2015

Prix Marcel Duchamp

Davide Balula, Ten Slab Slide Slants (detail), 2015

























Winner of the Prix Marcel Duchamp to be announced this week during FIAC, artist Davide Balula is one of this year's nominees. Balula is currently exhibiting at Gagosian Gallery, Athens.

Art in America Interview (January 2010)
Stomach Rainbow Artist's book (January 2009)
Artforum Review (October 2007)


June 14, 2014

Writing Life

























Heading back today for another session of Lucy Wadham's Paris Writing Workshop.

January 14, 2014

Words and Swimming



















Spring semester at Paris College of Art starts today. Highlights on the Fine Arts Senior Thesis reading list are Leanne Shapton's Swimming Studies and Barry Schwabsky's Words For Art.

February 3, 2011

"Artist's gallery"

Another art world biography to add to your bookshelves. Annie Cohen-Solal signed my copy of her well-researched, opinionated portrait of Leo Castelli at her recent lecture at the American Library of Paris.

September 22, 2010

De Kooning


Rarely is writing about art this good. Highly recommend Mark Stevens and Annalyn Swan's Pulitzer Prize winning biography of the Willem de Kooning.

August 18, 2008

A Sea Change


For the August 4, 2008 issue of The New Yorker, Peter Schjeldahl wrote about "After Nature", a group show currently at the New Museum (July 17—September 21), that I just saw in New York. Curator Massimiliano Gioni's exhibition, "After Nature", referencing Werner Herzog's Lessons in Darkness (1992), Cormac McCarthy's post-apocalyptic The Road (2006) and W.G. Sebald's book-length poem After Nature, reveals, according to Schjeldahl, "a shift of emphasis, from surface to depth, and a shift of mood, from mania to melancholy, shrugging off the allures of the money-hypnotized market and the spectacle-bedizened biennials circuit. (In fact the underappreciated Whitney Biennial hinted at the mutation.) It's fashion auditioning as a sea change."