February 12, 2018

Ateliers doctoraux ARVIMM

Participation in the Ateliers doctoraux des Arts Visuels au Maghreb et au Moyen-Orient XIXe-XXe siècle: "Moderne" et "contemporain": usages et enjeux historiographiques comparés. Organized by ARVIMM, IISMM-EHESS, PSL-ENS, Université de Genève and the Centre Pompidou.

November 15, 2017

Flash Art: November / December 2017

Flash Art, November / December 2017: Review of Beatriz Olabarrieta "Clever to Follow Goat" at Galerie Antoine Levi, Paris.

November 1, 2017

Artforum: November 2017

Artforum, November 2017: Feature "Openings" on Enrique Ramírez

Artforum: November 2017

Artforum, November 2017: Review of Hassan Sharif at gb agency, Paris.

Objektiv Journal: Subjektiv Part II

Objektiv Journal, Subjektiv Part II: Statement on "the potential relationship between art, politics and subjectivity at a time when the basis of democratic subjecthood is being called into question."

Objektiv is at Polycopies November 8th-11th. Bateau Concorde-Atlantique / Berges de Seine - Port de Solferino 75007 Paris


September 11, 2017

Paris College of Art: Fine Arts Faculty


Paris College of Art: Returning this fall as a member of the faculty in the Fine Arts department.

May 3, 2017

Writing Art Histories

"Writing Art Histories"
Co-authored with Maud Houssais and Sarah Johnson

This paper was written on the occasion of the Ecole d'automne de l'ARVIMM:
"Pratiques curatoriales et construction des histoires de l'art des mondes musulmans"
(Bibliothèque universitaire des langues et civilisations, Centre George Pompidou, Institut d'etude de l'Islam et des Sociétés du Monde Musulman, Ecole des Hautes Études en Sciences Sociales, Paris)
De gauche à droite: Zahra Jahan Bakhsh, Lillian Davies, Nabila Mokrani, Joan Grandjean, Tania Hautin-Trémolières, Alix Hugonnier, Mirl Redmann, Meryem Moulay, Nadine Atallah, Maud Houssais, Zouina Ait-Slimani, Sarah Johnson, Alain Messaoudi, Silvia Naef, Elahe Helbig, Fanny Gillet, Perin Emel Yavuz